BOGDEVO

BOGDEVO, Mavrovo and Rostuša Municipality
St. Demetrius Church, village of Bogdevo,
4-807-007/57 E-ND
(reg. icons 9007-9028)

The Church of St. Demetrius in the village of Bogdevo was built in 1910, according to the inscription recorded on the patron niche above the western entrance to the church. In the inscription, below the lunette featuring the patron scene of St. Demetrius on horseback slaying the warrior, the names of those responsible for constructing the church are recorded, along with information about the painter Ruse Krstić from Lazaropole, who was engaged in 1924 to paint the fresco decoration of the church:

This church of St. Great Martyr Demetrius was erected in 1910 from contributions collected among the Society of Serbian Brothers in Belgrade. Vasilije Jevtimović, a teacher, and Artemija Serafimović, both from Bogdevo, took care of collecting contributions and erecting this church. Consecrated by His Grace the Metropolitan of Skopje, Mr. Varnava, on 21/8–IX–1912. The interior of the church was crafted by icon painter Ruse Krstić from Lazaropole on 5–III–1924.

The church is a single-nave building with a hexagonal apse on the eastern side. A narthex was added to the western side in more recent times. The roof, nowadays restored with sheet metal, is a gable roof featuring a small hexagonal dome positioned toward the western side. The church is built from crushed stone, while dressed stone blocks were used for the corners and the final cornice. The northern wall features one rectangular window, while the southern wall has two, constructed from rectangular dressed stone blocks. A cross-shaped opening is pierced in the upper part of the apse.

The nave of the church features a three-tier iconostasis on the eastern side topped with a Large Cross, while a raised gallery floor is built on the western side. The temple is vaulted with a wide central blind dome. Painted at the apex of the dome is a bust portrayal of Jesus Christ Pantocrator(i"S "HS VSEDER@ITELX), blessing with His right hand while holding an open Gospel in His left hand with the text: (AZ\ ESMX /SV]TX MJ /RA,SV]T /MJRA NE /PRIDETX /KO MN]GO /PRIDWTX /KO BwGA). On the ring around the medallion, the following text is written: (GOSPODI GOSPODI PRIZDRI SNEBESE, VI@DX I POSVxTXi HRAM\ SEI EGw@E NASADI I OUTVERDI DESNICA TVOx).

In the shallow drum of the dome, the four evangelists with their personifications are painted in a cruciform arrangement. To the west, below Christ, Evangelist Mark is painted with the lion beside him (S"TXiI AP. I EV. MARKO), bearing text on the open codex: (ZA^ALO/ E"UGLJA/ i"ISA HR/ ISTA/ S..BO/ @v). To the east, above Christ, Evangelist Luke is painted with the  depiction of the calf (S"TXiI AP. I EV. LyKA), bearing text on the open codex: (PONE@E/ OUBw ^I/ ..TI NA/ ^A[A). On the northern side, Evangelist Matthew is painted with the angel beside him (S"TXiI AP. I EV. MAtEI), bearing text on the open codex: (KNIGA/ RODSTVA/ i"ISA HR/ ISTA/ DAVIDO/ VA S"NA/ AVRAAM/ Ax). On the southern side, Evangelist John is positioned with the depiction of an (S"TXiI AP. I EV. JwANN\), bearing text on the open codex: (VO NA^A/ L] B]/ SLOVO I/ SLOVO B]/ K\B"Gy/ I BOG/ B] SLOVO/ SEI B]). In the left corner of the scene of Evangelist John, the painter's signature is recorded: Done on November 2, 1923, by icon painter Rusalim Krstić from the village of Lazaropole.

Standing figures of prophets are painted between the evangelists: St. Prophet Solomon (S"TXiI PR. I CAR SwLOMON\), with text on an open scroll: (SEI GOSPODX NEBw I ZEMLx SOZDA); St. Prophet David (S"TXiI PR. I CAR DAVID), with text on an open scroll: (SLI[I D{ERI I PRIKLONI OYHO TVOE); Elijah (S"TXiI PR. ILiI), with text on an open scroll: (REVNyJA PO REVNyVAHX PO G"SD] BOZ] VSEDER@ITEL]); and St. Prophet Elisha (?)(S"TXiI PR....) , with text on an open scroll: (wT^E wT^E KOLESNICA IZRAILEVA I KONICA EGw).

On the southern wall (E–W), in the first register, the following are painted full-length: the Synaxis of the Archangels (SOBOR ARHAGGELSKIH); the Three Holy Hierarchs (S"TIXiH\ TRI SVxTITELIH\): St. Basil the Great (S"TXiI VASILIJA), St. John Chrysostom (S"TXiI iw ZLATOyST\), and St. Gregory the Theologian (S"TXiI GRIGORJA); St. Athanasius of Alexandria (S"TXiI AtANASJA ALEKSANDRISKI); St. Spyridon (S"TXiI SPIRIDwN\) and St. Anthony (S"TXiI ANTwNJA). In the second register, female saints are painted inside the window niches: in the first niche are St. Nedela ( S"TAx NEDELA) and St. Petka (Paraskeva) (S"TAx PETKA); in the second niche are St. Catherine (?) and St. Barbara (S"TAx VARVARA/V]RUu VO JEDINAGw B"GA oCA VSEDER@ITELA). Painted between the two windows are Saints Constantine and Helena (S"TXiI C. KONSTANTIN\ I C. ELENA). At the end, St. Anne (S"TAx ANNA) is painted. On the western wall, in the first register (S–N), painted are St. Tryphon (S"TXiI TRIFyN\), St. Panteleimon (S"TXiI PANTELEIMON), and St. Isaiah (S"TXiI ISAJA), with text on an open scroll: (TAKw GLAGOLET\ G"SD\ VSI aZXiCXi SOBRA[ASXi). On the parapet of the gallery (emporium), the following scenes are painted (S–N): The Betrayal of Judas (PREDAJE IuDA ISUSA HRISTA), The Last Supper (TAJNAx VE^ERx), and Christ's Prayer in the Garden of Olives (MOLITVA HRISTOVA). On the northern wall, in the first register of standing figures, the following are painted (W–E): St. Stefan Štiljanović, Serbian Despot (S. STEF. {ILxNOV DESP. SERB. (POSTAVLEN\ B] DESP. SERB. L.G. 1503 G. PRETAVISx @E 1515 G.)); St. Lazar, Serbian Prince (S"TXiI LAZARX KNxZX SERB. (S. KNxZX LAZARX VLADx[E o L.G. 1371 – 1389 G.)); St. Stefan Dečanski, Serbian King (S. STEFAN\ DE^. KR. SERB.); St. Simeon the Myrrh-streamer, Serbian King (S. SUMEwN\ MUROTO^. KR. SERB.); St. Simeon, former First-Crowned Serbian King (S. SUMEwN\ BXiV[ PERVOV. KR. SERB.); and St. Sava, Serbian Archbishop (S. SAVA ARHJEPKOP\ SERB.). In the second register (W–E), two Unmercenary Healers (Holy Physicians) with ruined inscriptions are painted. Two unidentified saints are painted in the window niche, and next to the iconostasis, the Ascension of Christ is depicted. In the altar conch, the Virgin Mary Platytera (M"TRX B"O@XiI [IR[Ax SNEBES) is painted with her arms raised high in prayer and holding the young Christ blessing with both hands in a circular medallion before her chest. In the proskomedia niche, Christ as the Victim (Sacrifice) (i"S "HS) is painted inside a chalice, blessing with both hands. Among the several iconographers who worked in the church, the known ones are Hadzhi Anagnost (1852) and the painter Rusalim Krstić from the village of Lazaropole (1932).

LOCATION

Church of St. Demetrius, village of Bogdevo, 

BOGDEVO, Municipality of Mavrovo and Rostusha

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